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Heddy Honigmann To Receive Golden Gate Persistence Of Vision Award
At 50th San Francisco International Film Festival
Festival’s Golden Gate Awards Highlight Documentary Features and Short Works
April 3, 2007
San Francisco, CA – The 50th San Francisco International Film Festival (April 26–May 10) recognizes and promotes excellence in documentaries, animation, shorts, experimental film and video, youth works and work for television with its annual Golden Gate Awards.
The Golden Gate Awards include the prestigious Golden Gate Persistence of Vision Award, which this year will be presented to documentary filmmaker Heddy Honigmann on Tuesday, May 1 at Sundance Cinemas Kabuki; and culminate in celebratory fashion, with a presentation of the GGA nominees and winners at the Golden Gate Awards Ceremony on Wednesday, May 9 at the Cowell Theater in Fort Mason Center.
Golden Gate Persistence of Vision Award
Established in 1997, the Persistence of Vision (POV) Award honors the achievement of filmmakers whose work is crafting documentaries, signature narrative films, short films, animation, experimental films or work for television. Last year the award went to Canadian iconoclast Guy Maddin, and previous winners include documentarians Adam Curtis (2005) and Jon Else (2004), experimental filmmaker Pat O’Neill (2003), Latin American cinema pioneer Fernando Birri (2002), avant-garde filmmaker Kenneth Anger (2001), animator Faith Hubley (2000), documentarians Johan van der Keuken (1999) and Robert Frank (1998) and animator Jan Svankmajer (1997).
For over 25 years, 2007 POV recipient Heddy Honigmann has brought her unique perspective and boundless curiosity to films that often chronicle the lives of displaced people worldwide. On May 1 she will be presented with the award prior to the showing of her beautiful new documentary Forever; film critic and author John Anderson will interview Honigmann onstage following the screening.
Honigmann’s films frequently explore the role that art, and particularly music, plays in people’s lives. She is never reticent about asking a question; her trademark is getting people to open up in ways that must surprise even them. From taxi drivers in Peru, to Bosnian widows and illegal immigrants in the tunnels of the Paris Metro, Honigmann skillfully explores the human condition through her characters and the access they give her into their lives. Her documentary works include: Underground Orchestra (SFIFF 1998), Crazy (SFIFF 2000), Metal and Melancholy (SFIFF 1993), O Amor Natural (SFIFF 1997) and Good Husband, Dear Son (SFIFF 2002). Born in Lima, Peru in 1951, she moved to Italy in 1973 and has lived and worked in Holland since 1978.
Forever takes place in Père-Lachaise, the largest cemetery in Paris and the final resting place of the famous. Among its occupants are medieval lovers Heloise and Abelard, modernist icons Alice B. Toklas and Gertrude Stein and ’60s rocker Jim Morrison. Through its gates come tourists who tote cameras to the burial site of Marcel Proust and sing at the gravesite of Yves Montand. Widows of well-remembered husbands, meanwhile, sweep their late spouses’ gravestones and water the flowers. Forever finds that time and memory are the more profound divisions between longing and reality.
Golden Gate Awards Ceremony
The Festival’s Golden Gate Awards Ceremony takes place Wednesday, May 9 at the Cowell Theater at Fort Mason Center. Five juries (see Juries and Prizes press release for more info) will bestow awards on films in the following 14 categories: documentary feature, Bay Area documentary feature, documentary short, Bay Area documentary short, narrative short, Bay Area non-documentary short, animated short, new visions, works for kids and families, youth works, television documentary (long form), television documentary (short form), television narrative (long form) and television narrative (short form).
Politics is a strong theme in the documentary features category. Asger Leth’s Ghosts of Cité Soleil (Denmark) offers viewers amazing access to the lives of two gang leaders in a notoriously lawless Haitian slum; Sherine Salama’s The Last Days of Yasser Arafat (Australia) documents the director’s attempts to interview the Palestinian leader; and Steve York’s Orange Revolution (USA) shows the dedication of the hundreds of thousands of Viktor Yushchenko supporters who gathered in Kiev to protest the corrupt 2004 Ukrainian election. Finally, a younger generation enters the political realm in Vanessa Roth’s The Third Monday in October (USA), as middle school students run for student body president.
The documentary features category continues with themes of spirituality and family. In Pernille Rose Grønkjær’s quirky film The Monastery (Denmark), a self-sufficient 86-year-old Danish bachelor and a pragmatic Russian nun convert his dilapidated estate into a Russian Orthodox monastery. In the touching documentary Souvenirs (Shahar Cohen and Halil Efrat, Israel), Cohen, an unemployed film director, learns that his father may have left “souvenirs” with Dutch girls while he served in the legendary Jewish Brigade in World War II; the two take a road trip that follows the father’s earlier path and uncovers surprising truths and consequences. Family is the focus of the intimate Tierney Gearon: The Mother Project (Jack Youngelson and Peter Sutherland, USA), as the life and work of the acclaimed and controversial Tierney Gearon is examined. The documentary features category wraps with Mary Olive Smith’s A Walk to Beautiful (Ethiopia/USA), a moving and inspiring tale of young women in Ethiopia who suffer a tragically common illness (and are shunned by their villages because of it) and are aided free of charge by the team of the Addis Ababa Fistula Hospital.
The Bay Area documentary feature category continues the themes of politics, spirituality, family and health. The Rape of Europa (Richard Berge, Bonni Cohen and Nicole Newnham) offers a World War II tale not often told: the looting and destruction of European artworks by Nazi Germany, as well as how many treasures were saved. Michael Jacobs’ Audience of One looks at a San Francisco Pentecostal preacher who received a message from God to make a biblical film, and his attempt to make his Star Wars-meets-The Ten Commandments epic. Finally, Robert Arnold’s The Key of G is a touching story of the life of a developmentally disabled 22-year-old who is preparing to move out of his mother’s house and move into a new home with his group of artist and musician friends.
For a complete list of films nominated for the Golden Gate Awards, see the list below.
Also presented at the Golden Gate Awards Ceremony will be the winners of the SKYY Prize (a $10,000 cash award that supports innovative thinking by independent filmmakers and shines the spotlight on an emerging director); the FIPRESCI Prize (which aims to promote film art, to encourage new and young cinema and to help films get better distribution and win greater public attention, as selected by the International Federation of Film Critics); the new Chris Holter Award for Humor in Film (which provides a $2,500 cash prize to the filmmaker whose film paints the most humorous, heart-warming and life-affirming portrait of the human condition); and the GreenWorld Contest (which invites filmmakers to make a two-minute video showing viewers the importance of being green and provides a $1,000 cash prize to the winning entry).
Tickets for the Persistence of Vision event with Heddy Honigmann on May 1 at the Sundance Cinemas Kabuki and the Golden Gate Awards Ceremony on May 9 at the Cowell Theater are each $12 general/$10 seniors, students and persons with disabilities/$9 SFFS members.
Persistence of Vision Award is sponsored by Jaman.
Golden Gate Awards Ceremony is sponsored by Stella Artois.
Support for the Chris Holter Humor in Film Award is provided by the Metro Theatre Center Foundation, with funds from the Ora A. Holter Trust and the Chris Holter-Ron Merk Family Trust Fund.
SFIFF50 GreenWorld Contest for online video shorts is sponsored by Yahoo! Video and Jumpcut.
GOLDEN GATE AWARD OFFICIAL SELECTIONS
FILM & VIDEO
DOCUMENTARY FEATURES
*Audience of One, Michael Jacobs (USA, 2007)
Ghosts of Cité Soleil, Asger Leth (Denmark, 2006)
*They Key of G, Robert Arnold (USA, 2006)
The Last Days of Yasser Arafat, Sherine Salama (Australia, 2006)
The Monastery, Pernille Rose Grønkjaer (Denmark, 2006)
Orange Revolution, Steve York (USA, 2007)
*The Rape of Europa, Richard Berge, Bonni Cohen, Nicole Newnham (USA, 2006)
Souvenirs, Shahar Cohen, Halil Efrat (Israel, 2006)
The Third Monday in October, Vanessa Roth (USA, 2006)
Tierney Gearon: The Mother Project, Jack Youngelson, Peter Sutherland (USA, 2006)
A Walk to Beautiful, Mary Olive Smith (Ethiopia, 2006)
DOCUMENTARY SHORT
*The Days and The Hours, Kristine Samuelson, John Haptas (USA, 2006)
The Fighting Cholitas, Mariam Jobrani (USA, 2006)
Loss, Kristen Nutile (USA, 2006)
Making the Balkans Erotic, Richard C. Haber (USA/Serbia, 2006)
*Outsider: The Life and Art of Judith Scott, Betsy Bayha (USA, 2006)
Sari’s Mother, James Longley (USA, 2006)
NARRATIVE SHORT
*Greyhounds, Kelilyn Mohr McKeever (USA, 2006)
The Last Dog in Rwanda, Jens Assur (Sweden, 2006)
The Substitute, Andrea Jubin (Italy, 2006)
The Tube With a Hat, Radu Jude (Romania, 2006)
Waiting for Yesterday, Julien Lecat, Sylvain Pioutaz (France, 2006)
We Are Everywhere, Sofía Pérez Suinaga (Mexico, 2006)
Woman and Gramophone, Johannes Nilsson, Ola Simonsson (Sweden, 2006)
WORKS FOR KIDS AND FAMILIES
Dorme, Sylvia Binsfield (USA, 2006)
The Fan and The Flower, Bill Plympton (USA, 2006)
Knuffle Bunny, Maciek Albrecht (USA, 2006)
Ricochet, V. Sarah Gurevick (France, 2007)
Ride of the Mergansers, Steve Furman (USA, 2006)
ANIMATED SHORTS
The Danish Poet, Torill Kove (Norway, 2006)
*Loom, Scott Kravitz (USA, 2006)
The Memories of Dogs, Simone Massi (Italy, 2006)
Never Like the First Time!, Jonas Odell (Sweden, 2006)
Sheep, Zeina Abirached (France, 2006)
Tyger, Guilherme Marcondas (Brazil, 2006)
NEW VISIONS
*Breath on the Mirror, Vanessa Woods, Sarah Friedland (USA, 2007)
Dear Bill Gates, Sarah J. Christman (USA, 2006)
*The Denazification of MH, James Hong (USA, 2006)
The General Returns from One Place to Another, Michael Robinson (USA, 2006)
Harrachov, Matt Hulse, Joost van Veen (Netherlands, 2006)
The Highwater Trilogy, Bill Morrison (USA, 2006)
*Ignorance Before Malice, Sandra Davis (USA, 2006)
*Muse of Cinema, Kerry Laitala (USA, 2006)
*WATERCOLOR NIGHT MONTAGE NO. 7, Paul Clipson (USA, 2006)
When We Are Big, Eveline Ketterings (Netherlands, 2006)
YOUTH WORK
*A Conversation Between Two Miserable People in Dr. Tourin’s Waiting Room,
Melissa Wee (USA, 2006)
*Dessert, Max Strebel, Ashlyn Perri (USA, 2006)
Drive, Joseph Procopio (Canada, 2006)
The Final Frontier: Explorers or Warriors?, Stephen Sotor, Trace Gaynor (USA, 2006)
*Focus, Edward Elliott (USA, 2006)
*Streetball, Brain McArthur (USA, 2006)
The Whole World Was Watching, Charlotte Burger (USA, 2006)
THESE FILMS ARE WINNERS OF THE GOLDEN GATE AWARDS FOR TELEVISION
TV DOCUMENTARY LONG FORM
My Father the Turk, Marcus Vetter, Ariane Riecker (Germany, 2006)
TV DOCUMENTARY SHORT FORM
Josephine Baker: Black Diva in a White Man’s World, Annette von Wangenheim (Germany, 2006)
TV NARRATIVE LONG FORM
Rage, Züli Aladag (Germany, 2006)
TV NARRATIVE SHORT FORM
Capelito, Rodolfo Pastor (Spain, 2006)
*Bay Area Filmmakers
Sundance Channel and Comcast are sponsors of the Golden Gate Awards Documentary Selection and the Golden Gate Awards Ceremony.
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