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By Kevin G. Headly
Sue Jean Halvorsen never misses an opportunity to
praise the San Francisco International Film Festival. In fact she
often goes out of her way to create such opportunities. She usually
gives away her pass to the Festival's posh Closing Night, but she
does so judiciously. Sue Jean makes sure the Film Society will get
somthing in return: a new member or volunteer, or if the lucky recipient
is already a member, they have to promise to raise their membership
level.
A member for over a decade, Sue Jean is very outspoken about what
she finds so appealing about membership. "What I love most
about the SFIFF is the fact that it truly is an international festival.
Unlike other venues, which can often operate merely as a screening
room for Hollywood previews, I anticipate attending the Festival
each year because I know I'll see films that I may never have a
chance to see in any other setting," she says. "Audiences
from all pockets of San Francisco come out to support films from
their native countries. Therefore the Festival also offers a unique
opportunity to mingle with, and learn from, people of other cultures."
Halvorsen, a self-described film fanatic, confesses that despite
her obvious preferences (documentaries are another priority), she'd
go to see just about any film. "Going to the movies for me
is like eating out, sometimes you can eat junk pizza or a plain
burrito and be perfectly satisfied. You don't always have to go
for the full course meal. It all depends on what you are in the
mood for."
Frivolous moments aside however, Halvorsen certainly isn't your
average moviegoer. She is serious, and years of devoted movie watching
have left her with a clear perspective on not only what movies have
to offer her, but also what she now expects to take away from a
"good" film. "For me movies are a window on another
world. At their worst, they offer you an escape from the stress
of daily life. However, at their best they can offer illumination
into human behavior. Don't get me wrong, there's nothing wrong with
mere escapism, but do I want films that raise consciousness even
while they are letting you escape? Of course I do"
Perhaps, it is her knowledge that exposure to that caliber of film
entertainment is precisely what she can expect to receive at the
Festival that motivates Sue Jean year after year to scrape together
her pennies to pay for her Benefactor membership, even when that
involves returning her Coke bottles. Typically, however, she gladly
signs over her annual tax refund check to cover this expense.
As for the possibility that this devotion may one day manifest
itself as a desire to aid in the Festival's presentation, Halvorsen
says, "Who knows? Perhaps one day I will volunteer, but for
right now I'm having too much fun."
By the way, in case you were wondering where to find Sue Jean Halvorsen
on the evening of May 2 while the lucky recipient of her pass to
the Closing Night Wrap Party is grooving the night away, she will
be somewhere across town at the last of the Festival screenings,
sitting in the audience, in a quiet theater, having fun.
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